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A stunning, complex narrative about the fractured legacy of a decades-old double murder in rural West Virginia-and the writer determined to put the pieces back together.
In the early evening of June 25, 1980 in Pocahontas County, West Virginia, two middle-class outsiders named Vicki Durian, 26, and Nancy Santomero, 19, were murdered in an isolated clearing. They were hitchhiking to a festival known as the Rainbow Gathering but never arrived. For thirteen years, no one was prosecuted for the "Rainbow Murders" though deep suspicion was cast on a succession of local residents in the community, depicted as poor, dangerous, and backward. In 1993, a local farmer was convicted, only to be released when a known serial killer and diagnosed schizophrenic named Joseph Paul Franklin claimed responsibility. As time passed, the truth seemed to slip away, and the investigation itself inflicted its own traumas--turning neighbor against neighbor and confirming the fears of violence outsiders have done to this region for centuries.
In The Third Rainbow Girl, Emma Copley Eisenberg uses the Rainbow Murders case as a starting point for a thought-provoking tale of an Appalachian community bound by the false stories that have been told about it. Weaving in experiences from her own years spent living in Pocahontas County, she follows the threads of this crime through the complex history of Appalachia, revealing how this mysterious murder has loomed over all those affected for generations, shaping their fears, fates, and desires. Beautifully written and brutally honest, The Third Rainbow Girl presents a searing and wide-ranging portrait of America-divided by gender and class, and haunted by its own violence.
Selected praise for The Third Rainbow Girl
“A haunting and hard-to-characterize book about restless women and the things that await them on the road…Eisenberg dives deep here into the backstories of the victims, investigators and suspects, as well as the cultural "backstory" of Appalachia itself.” — Maureen Corrigan, Fresh Air
“An evocative and elegantly paced examination of the murders that takes a prism-like view of the crime…Not just a masterly examination of a brutal unsolved crime, which leads us through many surprising twists and turns and a final revelation about who the real killer might be. It’s also an unflinching interrogation of what it means to be female in a society marred by misogyny.” — Melissa Del Bosque, New York Times Book Review
"The Third Rainbow Girl is part of a new wave of books upending true-crime tropes and pushing at the boundaries of the genre. If this is a book about a murder, it is also a book about the history of economic exploitation in Appalachia, the systemic biases of the criminal justice system, and the unreliability of memory.” — Rachel Monroe, The Nation
“The book is more than just another true crime memoir; Eisenberg has crafted a beautiful and complicated ode to West Virginia. Exquisitely written, this is a powerful commentary on society’s notions of gender, violence, and rural America. Readers of literary nonfiction will devour this title in one sitting.” —Booklist
“Thoroughly researched and reported…Offers a deep-dive into rural Appalachia, a region of the United States that is little understood, and it digs into questions of how deeply misogyny and bias can run inside a community. It is also an honest and endearing coming-of-age tale. . . The Third Rainbow Girl accomplishes what any good murder mystery should. It shines a spotlight on a nexus of people and a place. . . Uniquely thoughtful and introspective. The insights into human nature are the real gritty, good stuff you get from reading a masterful work of journalism like this one.” —NPR.org
"Emma Copley Eisenberg has written a true crime book that brings to mind Truman Capote's masterpiece In Cold Blood: elegantly written, perfectly paced, and vividly realized people and places. Equally impressive is her refusal to condescend to the inhabitants of the Appalachian community where the crimes occurred. The Third Rainbow Girl is a major achievement." —Ron Rash, New York Times bestselling author of Serena
"The Third Rainbow Girl is a staggering achievement of reportage, memoir, and sociological reckoning. We are better for this brilliant, gorgeous, and deeply humane book." —Carmen Maria Machado, National Book Award nominated author of Her Body and Other Parties
"Headlines only deliver digestible tropes: Backcountry hicks confront hippie celebrants, two dead. But for the indefatigable Emma Eisenberg, approaching the murders at Briery Knob is about more than who fired the gun. An affection for this law-resistant corner of West Virginia enables her to transcend the simple formula of white male rage. Stepping into darkness, she extracts a nuanced sense of place and draws a map with historical connections." —Nancy Isenberg, New York Times bestselling author of White Trash: The 400-Year Untold History of Class in America
"Part crime narrative and part soul-searching memoir, Emma Copley Eisenberg's The Third Rainbow Girl has so much wisdom to offer. It's about the corrosiveness of preconceived notions, and about how trauma ripples through cultures and generations, and about finding connections in others and strength in oneself. Rich in detail and sensitivity and intelligence and honesty, this is a book you won't want to put down, one that will stay with you for a long time." —Robert Kolker, New York Times bestselling author of Lost Girls
”Several themes link the true-crime and memoir sections—including how we distinguish lies from the truth—and a related set piece explores the stereotypes of Appalachians as either "noble and stalwart" mountaineers or "profligate" and "amusing" hillbillies. With access to Beard and other key figures, Eisenberg avoids both perils and offers a nuanced portrait of a crime and its decades long effects. A promising young author reappraises a notorious double murder—
and her life.” —Kirkus Reviews
"I blazed through this book, which is a true crime page-turner, a moving coming-of-age memoir, an ode to Appalachia, and a scintillating investigation into the human psyche's astounding and sometimes chilling instinct for narrative. A beautiful debut that will stay with me for a long time, whose story mesmerizes even as it convinces you to find all mesmerizing stories suspect." —Melissa Febos, author of Lambda award-winning Abandon Me